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Sheila Callaghan (born 1973) is a New York City-based playwright and screenwriter who emerged from the RAT (Regional Alternative Theater) movement of the 1990s. Her work is considered to be part of the downtown theater (or "experimental") scene,〔(【引用サイトリンク】title=in dialogue: Devouring the Scenery with Sheila Callaghan )〕 and is known for its unusual use of language and narrative structure. Callaghan's writing has been described as "comically engaging, subversively penetrating", "whimsically eloquent",〔(【引用サイトリンク】title= Dazzling 'Crumble' is stalwartly screwy )〕 "unique and completely contemporary",〔(【引用サイトリンク】title=Bloomsday Revisited )〕 and "downright weird". The ''New York Times'' has said Callaghan "writes with a world-weary tone and has a poet's gift for economical description," and the ''Philadelphia Weekly'' has called Callaghan a "provocative playwright" with a "national following" who "creates work that's realistic and unpredictable, dark and funny, reassuring and disturbing."〔(【引用サイトリンク】title=Review )〕 She has been profiled by ''American Theater Magazine'', ''Time Out New York'',〔(【引用サイトリンク】title=The not-ready-for-Broadway playwrights )〕 ''Theatermania'',〔(【引用サイトリンク】title=People to Watch )〕 and ''The Village Voice'',〔(【引用サイトリンク】title=Rejoyce:A playwright's modern-day downtown riff on Ulysses )〕 and she occasionally contributes articles to the theatre section of ''The Brooklyn Rail''. She was also the author of a (now defunct) blog which dealt with her life as a writer in New York City. She is a member of the ''Kilroys'', whom have created the ''Kilroys' List'' for 2014 and 2015. ==Memberhips== She is a member of the playwrights' collective 13P and the New Dramatists. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sheila Callaghan」の詳細全文を読む スポンサード リンク
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